When I returned from Lencois, my sneakers were so dirty,
I decided to just leave them in the plastic bag I transported
them in. On a rainy morning, a few weeks after my return,
I decided to wear my sneakers instead of the customary flip-flops.
I pulled my sneakers out of the plastic bag only to discover
little patches of white mold had grown over them. When I showed
my host, he shook his head sadly. His eyes were saying, "you
should have known better." And I should have. During my first
trip I left a beaded bracelet underneath a shelf. The humidity
combined with the darkness below the shelf made the perfect
breeding ground for mold. My Caribbean friend told me to just
clean it, but the mold was growing on the leather lining of
the bracelet, the part that would touch my skin. I was itching
just contemplating putting that bracelet back on, so I gave
it away. Weeks later, my sandals molded. Sandals, being a
more expensive and practical item than a bracelet, are not
something to mindlessly throw out. I grabbed a wet paper towel,
wiped them down, and kept wearing them for the duration of
the trip.
A few weeks into my current Brazil stay, I went to the AeroClube
with my hosts. It's a huge mall, most of it outdoor, obviously
styled after American consumption. There's a plethora of fast
food restaurants, clothing stores, a concert hall, a movie
theater, and a few jewelry and import stores. We were browsing
the fast food places, looking for somewhere to eat, when we
saw a Bahiana sitting behind her table with an array of acaraje,
abara and toppings. My hosts were surprised to find acaraje
at the mall. They said, years ago, acaraje was rejected as
candomble food. The establishment didn't accept it. Now, that
acaraje has proven itself, both in a culinary and an economic
fashion, it is being co-opted by folks who wouldn't be caught
dead eating or selling it in the past.
Acaraje and abara are quick, cheap, portable foods sold all
over Salvador mostly by black women in full Bahiana dress.
Some women do it to complete tasks they are given in their
religious development on the candomble path. Some women do
it to earn a living. I'm not certain exactly what goes into
the acaraje/abara mix, I think it has something to do with
cornmeal. But they mix up batch with a large wooden spoon
in a metal bowl. The acaraje is fashioned into tiny little
football shaped patties and deep fried. The abara is made
with the same mix, but it's wrapped in banana leaves and boiled.
To serve, both of these things are cut open and filled with
a salad (made of cilantro, onions, and green tomatoes), piron
(piron is a thick puree that can be made of anything: cassava,
fish stew, etc. I think the base is farina. The piron that
goes on acaraje/abara is made with shrimp), caruru (I'm not
certain about the spelling, I'm doing this from memory. Caruru
is a thick okra dish) and pepper sauce if you want it.
I think the acaraje is fried in dende oil. Dende is HUGE
in Bahia. It seems like they cook everything in it. The dende
is a type of palm oil and it lends a yellowish hue to the
food. The most popular dende dish is moqueca. Moqueca can
be made with seafood or shrimp, but it's traditionally made
with fish. The stew is also made with tomatoes and onions
and other wholesome elements. A big element of Salvador cuisine
is the accoutrements. There is often a tray offered with pepper,
a green-tomato onion salad, and farina. Farina is a ground
grain that people in Salvador sprinkle on their food, specifically
on saucy food. I've seen it sprinkled on beans and rice, spaghetti,
moqueca. People seem to enjoy the taste, but it seems to me,
it's a filler, it adds more bulk to the meal, helps you fill
up faster.
Brazil is a big meat country. Another big Salvador dish is
feijoada. It is a beans dish with a plethora of pork and beef
cooked in. One day when I was sitting in the kitchen I watched
my host throw five types of meat into her beans-beef, pork,
fatty bacon, sausage, and something else. "Are you making
feijoada?" I asked. "No," she said, "these are regular beans."
Of course they cook the beans with meat, but I've never seen
anyone go to that extreme. Brazil's famous worldwide for their
churrasco-meat grilled on huge skewers. You can buy a cheap
plate of churrasco and you'll get three types of meat-beef,
pork, and chicken-with rice, salad, and farina to accompany.
There's a popular appetizer called arrumadinha, which is cut
up beef, sauteed and mixed with farina and some other things.
But because Salvador is coastal, non-meat eaters don't have
to fear-seafood plays a big part in the cuisine. I'm basically
a fish-eating vegetarian, but I won't die if I have to eat
chicken. As many times as I've found myself on flights unable
to eat, you would think I would make it a practice to call
ahead and order a vegetarian meal, but I always forget and
I'm sometimes scared of other people's interpretation of vegetarian
food. So I often go on a flight banking on that chicken option.
Not on a Brazilian airline. Meat pizza, meat omelettes and
meat fritattas. Would you like beef or pasta with pork? Is
that a choice? It was a hungry flight.
But once you get to Brazil there is a stunning array of fresh
fruit and cheap food. Brazil has a number of fruit I've never
heard of: acerola, umbu, caja, mangaba, siriguela. They have
all the tropical fruits: jackfruit, soursop, pineapple, mangoes,
coconut, sugar apples, star fruit. In Salvador I saw my first
cashew fruit. I have since irritated all my friends by explaining
to them exactly what a cashew fruit looks like, and how a
cashew grows. The fruit is an orangey color, it almost looks
like a small bell pepper, it hangs from the tree with ONE
cashew nut crowning it. Each fruit has one nut. How crazy
is that?
Fresh fruit juice is one of the pleasures of Salvador. All
over the city are shops where they will juice any fruit they
have in stock for you. They also make banana shakes, and fruit
mixes that sometimes include beets. In Salvador, they also
make a wide variety of sweets with fruit: cocadas-a grated
coconut sweet; fudge from peanuts, milk, or coconut; guava
sweets; caju sweets. On the huge ferry boat to Ilha Itaparica
in the morning, vendors circulate selling corn or tapioca
pudding-a hot breakfast meal; beiju-ground tapioca heated
into a crepe-like shape and thinness, rolled with plantain
or coconut inside; and coixinhas-tear shaped patties with
meat or chicken inside. I guess it's sort of like sitting
on the train in NYC and people come through selling candy,
toys, and batteries. But in Bahia, these vendors are selling
home cooked food.
On the beach in Barra, the selection is even more dizzying.
You can buy pastels-patties with meat inside; banana real-a
long flat pasty with plantain in it; roasted cheese-vendors
walk around with tiny tins full of live coals and a tupperware
container of cheese blocks on a stick, they roast them when
you order; shrimp on a stick; fruit salad; sandwiches; beer;
soft drinks; peanuts; and popsicles. On the edges of the beach
are women selling acaraje, coconut vendors, and fried fish
vendors. In addition to food items, the beach vendors also
circulate selling bandanas, portable mini-radios, beach wraps,
dresses, and tanning lotion.
There are always opportunities to buy juices, sodas, and
sweets. On our way to the market one day, we stopped at a
man's little streetside sweet stand. We bought coconuts, a
doughnut (called heaven) with homemade jelly inside, and a
banana real. As we hung out talking, the man asked us if we
were Americans or Americanized Brazilians. We said we were
American. "All four of you?" he asked. We were four African
Americans. He said we spoke well, but there was something
different about our Portuguese. There is an interesting phenomenon
of black people all over the world thinking that they are
the only black people in the world. It seems easy to accept
white people as foreigners, but somehow it's difficult to
integrate the idea of black people living somewhere speaking
another language, living a completely different life. It may
be a commentary on diasporan black people's universal sense
of isolation. I remember during my first trip out of the country,
I stared and stared at the black people I saw speaking Spanish
in the Dominican Republic. It was like my mind couldn't register
the reality. 'What are these black people doing speaking Spanish?'
I asked myself. And certainly, the whole time I was there,
they had difficulty identifying me as American. If I was speaking
English with my friends, they accused us of putting on airs
and acting American. I would say, but I am American and they
wouldn't believe me. A few times, they would even turn to
a white person (if I happened to be with one) and say, "really,
where is she from?" Similarly, when I arrived to Brazil, my
friend and I would speak English in front of Brazilians, and
one black man in particular sat there astounded. "You speak
it so fast," he said amazed. "Well, of course," I said, "it's
my language." But the amazement is reflexive. Just as amazed
as the Brazilian was to see us speaking English, black Americans
are to see Brazilians speaking Portuguese. "I never seen so
many black people speaking another language," said a Black
American on his first visit to Brazil.
After assuring the man we were American, I added, "I hope
no Brazilian would be as clueless as we are." He said "no,
there are some Brazilians who go to the States and lose their
culture. Some want to mimic the U.S. thinking it's better,
but I think everyone has to be themselves. Everyone has something
to bring to the table." As we chatted on I crunched on my
banana real and ran into the same problem I always run into.
The banana real is a flat rectangular pastry, with the plantain,
it's the perfect blend of crunchy and soft, a wonderful marriage
of flavors. Without the plantain, it's just some dried up
bread. Since this vendor was so friendly I decided to take
up my issue with him. Why, I asked him, is the banana real
so wide, but there is only one strip of plantain in it, so
that one side is tasty and the other side is dry? "Economy,"
he said, "trying to save money, but I don't think that's right.
I'm going to talk to the woman who makes them." "Oh, no,"
I said, worried that I had gotten the woman in trouble, "she
isn't the only one. Every single banana real I've had has
been like this." "I don't care," the man said, "it isn't right.
The plantain is supposed to be from one tip to the other.
This is my barraca and I have to sell quality here. I'm going
to talk to her firmly about changing that." He was smiling,
using comic hand gestures. "But not in anger or anything,"
I said. "Oh, no," he said, "but very firmly, come back Monday,
you'll see, it'll be a better banana real." It was a hilarious
exchange. He was a funny man, extremely personable and he
obviously cared about his business. He promised me I had done
nothing wrong. He said, "How many people do you think come
to my barraca and they think like you, but they just never
said anything. They just never come back because my banana
reals are dry. It's not every day that four Americans come
to my barraca, you know. And if you're not satisfied, I'll
never have the pleasure of your company again." He really
made our trip to the market fun.
The market itself was a special treat. The entrance to the
market looked like a grubby little side street. There were
fruit vendors set up on either side selling bananas, watermelons,
sugar apples, yellow melons, siriguela, umbu, and more. There
was a crab vendor sprawled out, leaning back on his baskets,
holding out one crab. As he drank, he periodically poured
alcohol onto the poor thing, as if its captivity wasn't enough
suffering. It waved its muddy legs helplessly while we wondered
if a crab could get drunk.
Then we came upon the meat section. Meat vendors had cow
legs hanging on hooks. The liver and other internal organs
sat in neat stacks on the counter, the meat was stowed away
somewhere. For people who are accustomed to seeing their meat
cut, trimmed, shrink-wrapped, and tagged, it's a pretty shocking
sight. Further in the market was made up of about four narrow
walkways, each one full of vendors. Walking by, we saw a plethora
of vegetable, herb, and nut vendors. Huge stacks of dried
cashews and mounds of dried shrimp rested in large flat baskets.
Braided, coiled tobacco was displayed in huge rounds. Upon
first glance it looked like some animal's dried intestines.
There were religious shops mixed in with the food vendors,
these shops were laden with ceremonial swords and crowns,
statues, religious herbs and jewelry and other specialty items
needed for candomble worship. Everywhere we looked we saw
bunches of random leaves-herbs with medicinal properties that
you needed to know how to identify to buy. We bought lettuce,
greens, tomatoes, cucumbers, onions, green onions, and vegetables.
We were forever coming upon items we couldn't identify. There
was one vegetable that was a small, pale green sperm-shaped
item, except the head was huge and the tail was tiny. The
body of it was covered in spikes. When we asked the vendor
what it was, we didn't recognize the name. He explained how
to prepare it and cut one open for us. I was surprised to
find it full of seeds and when we smelled it, it smelled like
a cucumber! The market day was a special day. A venture not
into public Bahia, but into the most regular of daily rituals
that was filled with enough newness and fresh visual stimulation
to provide us with a feast for the eyes and the nose.
Be well. Be love(d).
Kiini Ibura Salaam
=======FOR=========THE========RECORD=========
I am late in circulating the below message Re: the trail
of Imam Jamil Abdullah Al-Amim. I heard on public radio yesterday
morning that he was found guilty on all counts of murder and
is facing life-in-prison. I'm forwarding the message in full
although IT IS TOO LATE TO CONTRIBUTE TO THE AD. There may
still be an opportunity to contribute to the defense costs
or extend some support to the family if you are so inclined.
If not, I include this just to keep you informed.
Dear Folks,
Here is the statement that we are asking to be circulated
nationally for signators and contributions to place the ad.
We have worked closely with Ed Brown to get this ad prepared.
The statement is a rework of an earlier SNCC statement of
support written in 2000 during the North Carolina conference.
Our hope is to place the ad, with signatures (in alphabetical
order) in the Atlanta Journal & Constitution next Thursday.
We are trying to raise enough money to purchase a full page
ad which will cost $10,000. In order to do this, we have to
raise the money this week so the ad can be paid for on Monday.
I know this is moving fast but I believe that the combination
of all our networks can make this happen. It needs to happen
right away in Atlanta.
So here's the info
1) ask people to send a VERY SIMPLE, yes sign me on and
give us the exact way they want to be listed. We are using
names only, but they can put titles if they choose. Names
will be listed alphabetically
Send response to me at: [email protected].
2) Contributions to: Civil Rights Ad c.p Karen Spellman
1234 Monroe St., NE
Washington, DC. 20017. Prefer money orders or cashiers checks,
certified checks since we have to work so fast.
3) Please circulate this statement to everyone on your listserve.
If you know folks with deep pockets please ask them to contribute
generously. And don't forget to e-mail me back your name for
inclusion on the list.
Asante sana.
Please don't ask them to call me. You field all the calls
yourselves.
Thanks y'all. Ed thanks you and Jamil's family thanks you
as well.
-karen
INNOCENT UNTIL PROVEN GUILTY
GIVE IMAN JAMIL AL-AMIN A FAIR TRIAL
A statement from civil rights activists, friends and associates
of Imam Jamil Abdullah Al-Amin
February, 2002
Jamil Abdullah Al-Amin, once known to us as H. Rap Brown,
is now on trial for his life following a deadly shootout in
the southwest Atlanta community where he has lived and served
as a Muslim cleric for almost thirty years.
There has been blind rush to judgment on the part of the
former police chief and prosecuting attorney. Without benefit
of trial they have publicly declared Al-Amin a murderer and
are demanding the death penalty. There has also been a similar
presumption of guilt on the part of the media in spite of
a number of glaring discrepancies in the police version of
events.
*
The most telling of these discrepancies suggests a shooter
other than Al-Amin. In the aftermath of the shooting, another
man initially confessed to the crime. Immediately after the
shooting both deputies insisted that they had shot and wounded
their assailant severely enough that there was a "trail of
blood" at the scene. Several minutes after the violent encounter,
a 911 caller reported that a bleeding man was a few blocks
away begging passing motorists to give him a ride. The early
description both deputies gave of their assailant did not
fit Al-Amin in several important respects. Yet Al-Amin, who
had no injuries was pursued, arrested and charged with the
shooting.
The facts as alleged are completely out of character for
the man we knew in the civil rights movement and now know
as a religious leader in the Muslim community. As a civil
rights activist and chairman of the Student Non-Violent Coordinating
Committee (SNCC), Al-Amin, then known as H. Rap Brown, worked
tirelessly in the struggle of disenfranchised communities
in Alabama, Georgia and Mississippi to gain the right to vote.
As SNCC national Chairman, he spoke out against the war in
Vietnam and championed the rights of oppressed people in the
US and abroad.
Since then, Al-Amin has been a devout spiritual teacher
and a public-spirited local leader. We know Imam Al-Amin as
a principled and compassionate man, committed to justice for
all oppressed people and devoted to the moral welfare of his
community. His Atlanta neighbors have attested to his devotion
to family and community.
During the sixties, H. Rap Brown was hounded by authorities
for his militant defense of black protest. This pattern of
harassment has continued. Over the past twenty years, authorities
have made over thirty attempts to charge him with a variety
of crimes. All charges were found to be baseless and were
dismissed for lack of evidence.
In light of the discrepancies in the accounts of the current
case, and our knowledge of Imam Al-Amin's character, we urge
a suspension of judgement until all the facts are heard. We
also call for a fair and impartial
trial.
A statement from civil rights activists, friends and associates
of Imam Jamil Abdullah Al-Amin (H. Rap Brown)
ALSO: Call for submissions: Racism in a Virtual Community
hipMama is looking for first-person accounts of experience
with racism in a virtual community. Personal essays, creative
non-fiction, and poetry will all be considered. This special
issue will focus on an episode in the hipmama.com community,
but we will consider all writing on the subject.
E-mail submissions to: [email protected]
Deadline: April 4, 2002
Compensation for published work includes our sincere appreciation
of your unique talent and the adulation of a massive audience.
Material accepted for web site is considered for publication
in print magazine. Please read our publication to get a sense
of what we are all about. We do not pay cash for articles,
but as of February 2000 we provide all writers with a subscription
to the magazine.
ALSO: Maryam, an independent film about "love and cultural
difference and being the Other"
The film received many favorable reviews. I've included one
below, the rest can be read at http://www.davidackert.com/reviews.htm
"Mixed-Up Kids"
By Michael Potemra
NATIONAL REVIEW
The movie Maryam explores familiar territory - what it's like
to be an American high-school girl dealing with the demands
of popularity in general and dating in particular, and the
often less-than-reasonable demands made by parents. But it
tackles this universal predicament in a very crisply drawn
particular situation: It's 1979, the U.S. and Iran are at
daggers drawn - and our young heroine is an Iranian-American.
Maryam is a winsome youth, well incarnated by the sweet Mariam
Parris, and it's hard not to sympathize with her. She is the
epitome of assimilation, rebelling modestly against the strictures
of her parents. Her cousin Ali, a fanatical supporter of the
Ayatollah Khomeini, comes to the U.S. to study - and disapproves
of Maryam's American easygoingness even more than her parents
do. Ali is played by David Ackert with a fascinating combination
of brooding intensity and kindhearted vulnerability - far
from the stereotype of the religious fanatic one finds in
lesser movies.
Maryam's coming-of-age story is also an analogy for America
and the meaning of assimilation. In the process of growing
up - just as in the process of becoming American - earlier
authorities must be overthrown, and a new sense of self established;
but the highest values and insights of the earlier authorities
will remain, interiorized in the mature person. Maryam will
grow up to be a bourgeois individualist and thorough suburbanite;
but she will not despise her roots, nor her family members
who still abide by the earlier codes.
The atmosphere of the late 1970s, too, is convincingly recreated
- just one of the many pleasures of this fine, insightful
drama.
Showtimes:
LAEMMLE MUSIC HALL, Beverly Hills, CA
Starts March 8
LAEMMLE FALLBROOK, West Hills, CA
Starts March 8
ANGELIKA THEATER, New York, NY
Now Playing
MUSIC BOX THEATRE, Chicago, IL
Starts April 12
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