Kiini
Ibura
Salaam


Kiini Ibura Salaam is a writer, painter, and traveler from New Orleans, Louisiana. The middle child of five, she grew up in a hardscrabble neighborhood with oak and fig trees, locusts and mosquitoes, cousins and neighbors. Kiini's work delves into spheres of human liberation, human connection, and evolution. She employs speculative fiction, erotica, and creative nonfiction to take readers through mind-bending journeys into the transcendent, the sensual, the mystical, and the fantastic.

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Photo: © Regine Romain

Ancient, Ancient

short fiction (paperback)

Winner of the 2012 James Tiptree, Jr. Award Ancient, Ancient collects the short fiction by Kiini Ibura Salaam, of which acclaimed author and critic Nalo Hopkinson writes, “Salaam treats words like the seductive weapons they are. She wields them to weave fierce, gorgeous stories that stroke your sensibilities, challenge your preconceptions, and leave you breathless with their beauty.” Indeed, Ms. Salaam’s… »


The Single Woman’s Manifesto

An affirmative look at approaching singlehood from a spiritual perspective, this small-format affirmation/meditation book offers a series of fun and fun principles designed to celebrate you and your life, no matter what relationships state you happen to be in…. »

On the Psychology of Writing

Notes from the Trenches

Kiini Ibura Salaam has been writing essays and short stories since 1990. Over the years, she discovered that there’s much more to writing than sitting down and writing. There are a series of complex psychological and logistical demands that artists have to navigate to sustain artmaking on an ongoing basis. Is my work good enough? Does anyone care what I’m writing… »


About

Kiini
Ibura
Salaam


Growing up with creative parents who charted an independent cultural and intellectual path, Kiini’s childhood was rich with art, music, and books. As a student, she naturally gravitated toward reading and writing, and wrote her first professional story as a first-year student at Spelman College. After being paid $100 for the publication of that story, her identity as a writer was buoyed and she proclaimed herself a “serious” author.

Kiini’s work encompasses speculative fiction, erotica, creative nonfiction, and poetry. Her writing is rooted in eroticism, speculative events and worlds, and women’s perspectives. Preferring to operate outside of the separation of genres, she has published speculative fiction in erotic anthologies and erotic works in speculative fiction anthologies. Her fiction has been included in such publications as: Dark Matter, Mojo: Conjure Stories, Dark Eros, FEMSPEC, Ideomancer.com, infinitematrix.com and PodCastle.org. One of her earlier (and most distinctive) stories “Of Wings, Nectar, and Ancestors” was translated into Polish and two of her short stories “Desire” and “Rosamojo” were praised in Publishers Weekly reviews.

Kiini’s creative nonfiction speaks to her two passions: the freedom of women and the freedom of the creative spirit. In essays about date rape, sexual harassment, and the power of the word no, Kiini explores the complex layers of societal norms that negatively impact women’s lives. These essays have been published in Essence, Ms., and Colonize This! Her article “Navigating to No,” sparked a spate of radio interviews, a television appearance, and a college seminar, as well as earned a personal commentary award from the National Association of Black Journalists. Her essay “No,” which appeared in both Ms. magazine and Utne Reader, was included in the Longman Publishers composition guide, Reading Into Writing. Her creative nonfiction has been included in college curricula in the areas of women’s studies, anthropology, history, and English.

For the past ten years, Kiini has written the KIS.list, an e-column that explores the writing life and encourages readers to fulfill their dreams. She works as an editor and copy editor in New York. She and her daughter live in Brooklyn.

CONTACT

email:
kiiniiburasalaam@hotmail.com

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Kiini Ibura Salaam

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Photo: © Regine Romain

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Kiini
Ibura
Salaam

Blog


Vol. 90, Embodiment

Posted on 30 April 2013

I’ve been thinking a lot about embodiment. About how dipping deeper into your inspirations and instincts can be the antidote to artistic paralysis and confusion. This past month, I had the opportunity to see a few live performances that pushed me to further meditate on how full immersion strengthens your art.   One of the performances I took in was… »

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Vol. 89, The Wisdom of the Ages

Posted on 28 March 2013

In many artist circles we are obsessively focused on talent. Who is more talented than who. What less talented artist achieved more fame and notoriety than another more talented artist. Becoming older, I realize the importance of other factors. Hard work is an easy one, but a commitment to completion, a willingness to put your work out there, the discipline… »

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Vol. 88, Reconciling Fantasy With Reality (plus a reading and an anthology)

Posted on 12 March 2013

These are exciting times. I’m writing a novel. I’m not “working” on a novel, I’m not “restructuring” my novel. I’m not doing some interminably long project, I’m writing a novel. I’ve always deeply felt the limitations to me writing a novel. All of these limitations were real, but underneath my issues was a willingness to submit to those limitations. I’ve… »

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Kiini
Ibura
Salaam

Writings


Speculative Fiction // //

Of Wings, Nectar, & Ancestors

1 On deep purple-black nights, when the whole house has pushed itself into slumber, WaLiLa’s energy flits around her room like a moth. It leaps up to do jumping jacks & turns cartwheels, then clings to the ceiling. It bounces off the walls & jiggles its knees impatiently. WaLiLa is a jitterbugging ball of need about to pop. Her energy… »

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Speculative Fiction // //

MalKai’s Last Seduction

 “the most powerful seductions are executed against the silence of few words” Sometimes, I feel shoulder shrug like a motherless child. cheek rub against shoulder Sometimes, I feel like a motherless child. body slump   At twilight, when the earth is settling down for rest, MalKai is turning over inside. The colors of dusk pierce him like a rusty pin breaking… »

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Speculative Fiction // //

At Life’s Limits

1. Musicians, practicing an age-old tradition, scatter syncopated rhythms across the night sky. Through rapid hand movements and homemade instruments, they pay homage to fierce gods. The music tattoos the sky’s surface with patterns of prayer, patterns that transform themselves into welcome mats for beings in realms the musicians have no knowledge of. One such welcome mat beckons to WaLiLa’s… »

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Essay Excerpt // //

Race: A discussion in 10 parts plus a few moments of unsubstantiated theory and one inarguable fact…

1.    Race is bullshit. A meaningless line drawn in sand by men bent on world domination and oppression. It was introduced as a fixed notion, an unchangeable, undeniable fact of world order. Yet from the moment of race’s conception, the amazing diversity of body types, cultures, and traditions on the African continent alone complicated race’s claim on classification. In New Orleans,… »

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Essay Excerpt // //

When Conception Equals Confusion: The Battle Between Mothers and Would-Be Fathers

It happens in silence. A man—young, tall, hooded—sits in a waiting room. All the chairs are taken except the one diagonally across from him. A woman comes in carrying a child. She sits in the only seat available and busies herself removing the child’s coat and hat. The man’s eyes cut to the corner checking out mother and daughter. The… »

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Essay // //

“There’s No Racism Here?” A Black Woman in the Dominican Republic

When I first returned home from studying abroad, everyone wanted to know, “How was the Dominican Republic?” I was reluctant to respond. Masking the truth behind “fine’s” and “good’s,” I skirted my real feelings. “Did you like it?” is such a loaded question that it can’t be answered with a simple “yes” or “no.” For a long time, I refused… »

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Kiini
Ibura
Salaam

Artwork